Layers, texture, and joy

Mixed Media & Acrylics

Acrylic paint, collage, texture, ink, and paper, layered freely. Meditative abstracts, dreamlike worlds, and art with no rules but joy. Come play along with me.

Choose your subject

Pick the path that calls to you and follow along, one painting at a time.

Meditative Abstract

Quiet color and calm shapes, painted as a kind of prayer.

Read the Meditative Abstract blog →

Sci-Fi

Imagined worlds, glowing skies, and stories from far away.

Read the Sci-Fi blog →

Abstract

Bold color, texture, and shape, following where the paint leads.

Read the Abstract blog →

Why mixed media?

Acrylics dry in minutes, so you can build layer upon layer in a single sitting. Paint, paper, and texture all work together, and if you don’t like something, you simply paint over it. It’s the most forgiving place to begin.

Fast and forgiving

Dries quickly and covers easily. Mistakes become new layers.

Anything goes

Paint, paper, ink, pastel, and found objects, all on one surface.

Water cleanup

Acrylics clean up with soap and water while they're still wet.

On the studio wall

A century of freedom

Around 1906, Hilma af Klint was already painting glowing abstract works, years before most of the world was ready to see them. Wassily Kandinsky painted color like music, and Paul Klee made small, playful worlds of shape and line. In the 1910s artists began gluing paper into their paintings, and Juan Gris and Kurt Schwitters built pictures from wallpaper, tickets, and scraps. Acrylic paint arrived in the mid-1900s and made all this layering faster and easier than ever.

Pioneers of abstraction and collage

The Ten Largest, No. 7
The Ten Largest, No. 7Hilma af Klint · 1907
Altarpiece No. 1
Altarpiece No. 1Hilma af Klint · 1915
Composition VII
Composition VIIWassily Kandinsky · 1913
Senecio
SenecioPaul Klee · 1922
Castle and Sun
Castle and SunPaul Klee · 1928
The Guitar
The GuitarJuan Gris
Merz 50
Merz 50Kurt Schwitters · collage
Uviolett
UviolettKurt Schwitters · 1926

All works shown are in the public domain, via Wikimedia Commons.

Beginner friendly

What you need to begin

Start small. You can always add more later, and simple supplies are plenty for learning.

Acrylic paints

A starter set is plenty. Add white and black in larger tubes.

Gel medium and paste

Gel medium glues paper and makes glazes; modeling paste builds texture.

Collage papers

Old book pages, tissue paper, maps, and magazine scraps.

Mark makers

Pencils, ink pens, oil pastels, stamps, and anything that leaves a line.

Sturdy surfaces

Heavy mixed-media paper, canvas, or wood panels that can take layers.

Techniques to try

Layering

Build a painting in many thin layers, letting a little of each one show through.

Collage

Glue down papers with gel medium, then paint into and around them.

Texture

Spread modeling paste, then scrape, stamp, or comb into it before it dries.

Glazing

Mix a little paint with gel medium for a see-through veil of color.

Paint kindly

  • Mist your palette with water, or use a stay-wet palette, so the paint doesn’t dry too fast.
  • Rinse brushes before the paint dries on them; dried acrylic won’t wash out.
  • Let your rinse water settle, then wipe the paint sludge into the trash instead of down the drain.
  • Keep a practice sheet nearby to test colors and textures before they go on your piece.
Try it today

Your first mixed-media piece

Choose three colors. Tear a few strips of old book paper and glue them down. Paint one loose layer over everything, let it dry, then add marks with a pencil or pen. Repeat once more. Stop when it feels peaceful.

Fresh from the Mixed Media blog

Lessons, paintings in progress, and the artists I’m learning from. More to come.

New posts are on the way.

Paint with me

Hands-on workshops are coming with the Art Club, including guest artists. Workshop ideas we’re planning:

Intuitive abstract paintingCollage journalingTexture and layersPainting imagined worlds

Explore more

Follow the journey

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