Rich, slow, and timeless

Oil Painting

Rich color, soft blending, and time to change your mind. Portraits and landscapes painted slowly, layer by layer, the way the old masters did. Come paint along with me.

Choose your subject

Pick the path that calls to you and follow along, one painting at a time.

Portraits

Faces, light, and the quiet story in a person’s eyes.

Read the Portraits blog →

Landscapes

Fields, skies, and gardens, painted in changing light.

Read the Landscapes blog →

Why oil?

Oil paint dries slowly, sometimes over days. That gives you time to blend, soften an edge, or wipe away a mistake and try again. It rewards patience, and it’s been loved by painters for six hundred years.

Time to blend

Soft skies and gentle skin tones, mixed right on the canvas.

Deep, rich color

Jewel-like glazes and thick, buttery strokes.

Built in layers

Start thin and loose, then build toward the details.

On the studio wall

Six centuries of oil

In the 1400s, Flemish painters such as Jan van Eyck perfected painting with pigment ground in oil, and the method spread across Europe. Rembrandt and Vermeer used it to paint light itself. Later, Constable and Corot carried their paints outdoors, and Monet and Van Gogh turned color loose. Every one of them began, like us, with a brush and a blank surface.

Masters of oil

Girl with a Pearl Earring
Girl with a Pearl EarringJohannes Vermeer · about 1665
Self-Portrait
Self-PortraitRembrandt van Rijn · 1659
The Hay Wain
The Hay WainJohn Constable · 1821
Ville-d’Avray
Ville-d’AvrayCamille Corot · 1860s
Still Life with Apples
Still Life with ApplesPaul Cézanne · 1890s
Flower Beds at Vétheuil
Flower Beds at VétheuilClaude Monet · 1881
Irises
IrisesVincent van Gogh · 1889
Almond Blossom
Almond BlossomVincent van Gogh · 1890

All works shown are in the public domain, via Wikimedia Commons.

Beginner friendly

What you need to begin

Start small. You can always add more later, and simple supplies are plenty for learning.

A small palette

Titanium white plus a warm and a cool yellow, red, and blue. You can mix almost anything from these.

A few brushes

Two or three flats and filberts in small, medium, and large, plus a palette knife.

Something to paint on

Canvas panels or primed boards are inexpensive and perfect for practice.

Gentle cleanup

Water-mixable oils, or odorless mineral spirits, a jar with a lid, and soft rags.

Good to know

Fat over lean

Each layer should have a little more oil than the one beneath it, so the painting dries evenly and doesn't crack.

Think in values

Light, middle, and dark matter more than color. Squint to see them.

Paint big shapes first

Block in the large masses, then save the details for last.

Paint safely

  • Open a window and keep the air moving while you paint.
  • Never pour solvent down the drain. Let it settle in a closed jar, then reuse the clear part.
  • Oily rags can catch fire on their own as they dry. Lay them flat outdoors to dry, or keep them in a sealed metal can with water.
  • Keep paints and solvents away from children and pets, and wash your hands when you finish.
Try it today

Your first oil painting

Paint a single apple. Use only three values: light, middle, and dark. Block in the dark shape first, add the middle tone, and finish with one bright highlight. Thirty minutes, no pressure, just paint.

Fresh from the Oil Painting blog

Lessons, paintings in progress, and the artists I’m learning from. More to come.

New posts are on the way.

Paint with me

Hands-on workshops are coming with the Art Club, including guest artists. Workshop ideas we’re planning:

Portrait basicsLandscapes outdoorsPainting the gardenSimple still life

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Follow the journey

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